恨女的逆袭
李千娜,王彩桦,游安顺,蔡振南,田翔元,曾皓泽,黄惟,林毓家,林怡婷
HD国语
恨女的逆袭
李千娜,王彩桦,游安顺,蔡振南,田翔元,曾皓泽,黄惟,林毓家,林怡婷
HD
后天杀人狂
麦家琪,王喜,林雪
HD
谜一样的双眼2009
里卡多·达林,索蕾达·维拉米尔,巴勃罗·拉戈,哈维尔·戈迪诺,古勒莫·法兰塞拉,何塞·路易斯·加尔西,卡拉·奎沃多
HD
天下第一
田丰,唐宝云,曹健,崔苔菁,雷鸣,郑佩佩
HD中字
卡拉的审判
Jonathan Joél Albrecht,赖纳·博克,Ben Braun,Ulla Geiger,罗伯特·亨格-布勒,Christian A. Koch,伊摩根·蔻格,Elise Krieps,托本·利布雷希特,卡塔琳娜·舒特勒,Frank Vockroth,卡洛塔·凡·法尔肯海因,路易斯·沃巴赫
HD
纸花2019
安圣基,金彗星,柳真
This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off and/or very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.
Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.
One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.