NJPW:复兴之战
萨莎·班克斯,Azumi,后藤洋央纪,Lucas Eatwell,Tomohiro Ishii,Riley Vincent,Royce Isaacs,Jorel Nelson
HD中字
NJPW:复兴之战
萨莎·班克斯,Azumi,后藤洋央纪,Lucas Eatwell,Tomohiro Ishii,Riley Vincent,Royce Isaacs,Jorel Nelson
HD
大理石人
耶日·拉齐维沃维奇,克里斯提娜·杨达,塔德乌什·罗姆尼斯基,亚采克·沃姆尼茨基,米哈乌·塔尔科夫斯基,彼得·切希拉克,威尔斯拉乌·沃尔希奇,克里斯蒂娜·扎赫瓦托维奇,玛格达·特蕾莎·武伊齐克,博古斯瓦夫·索布丘克,Leonard Zajaczkowski,亚采克·多曼斯基,伊雷娜·拉斯科夫斯卡,兹齐斯瓦夫·科津,维斯瓦夫·杰维奇,卡齐米日·卡乔尔,埃娃·津泰克,安德烈·瑟韦林
HD
封神演义1987
李强,李滔,王宝玉,严重,蒋青峰,何瑷芸,黄新坤,谢昀融,王国锋,政超,许莉琪,姜大川,安玲仪,曲弘
HD
大道
雅尼莫尼,理查德·波林热,安托万·于贝尔,Vanessa Guedj,克里斯蒂娜·帕斯卡尔,拉乌尔·比勒,Pascale Roberts,Daniel Rialet,让-弗朗索瓦·德雷克,安德烈·拉孔布,德尼兹·佩隆,Thierry Flamand
HD中字版
德累斯顿大轰炸
费莉西塔斯·沃尔,约翰·莱特,本杰明·萨德勒
HD国语
一秒
郭晓婷,周国宾,党伟,邓钢
This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off and/or very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.
Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.
One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.