逆流的色彩
艾米·西米茨,蒂亚戈·马丁斯,什恩·卡鲁斯,安德鲁·山斯尼格,凯西·卡鲁斯
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逆流的色彩
艾米·西米茨,蒂亚戈·马丁斯,什恩·卡鲁斯,安德鲁·山斯尼格,凯西·卡鲁斯
HD
匿名者2018
克里夫·欧文,阿曼达·塞弗里德,科鲁姆·费奥瑞,索尼亚·瓦格尔,马克·奥布莱恩,乔·平格,伊多·戈德堡,塞巴斯蒂安·皮戈特,瑞秋·罗伯茨,马克·格拉齐尼,康拉德·科茨,梅寇·阮,萨拉米切,达蒙·伦延
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我们需要谈谈AI
凯尔·杜拉,Jurgen Schmidhuber,Louis Rosenberg
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人体异形
唐纳德·萨瑟兰,伦纳德·尼莫伊,布鲁克·亚当斯
HD
超能兔战队
刘红韵,申克,周岩,李思娴,李旭乔,白文显,宋磊,张子焜,黎泰承,童雨欣
HD
愤怒的红色星球
杰拉德·摩尔,Naura Hayden,莱斯·崔梅恩,杰克·克鲁申,J. Edward McKinley
Post-nuclear-war dramas centering on a small group of survivors now constitute an entire genre in science-fiction films. All of them, in some way or another, can be traced back to this seminal film from 1951 in which five people deal with the possibility they are the only human beings left alive on the planet.
While most of the later movies exploited this possibility for B-movie thrills, "Five" adopts a quiet, contemplative tone which some may find dull but which thoughtful viewers are more likely to find, for want of a better word, haunting. There is something about this movie which gets under the skin and which lurks in the corners of the mind long after it's over.